Hildegarde Handsaeme | Minimalist Feminine Line Art & Paintings

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Art can save the world


Belgian visual artist Hildegarde Handsaeme is internationally recognized for her timeless visual language, rooted in minimalist linework and the stylized female form. As a self-taught artist, she has created more than 200 works — primarily paintings and drawings — characterized by:

  • Minimalist, harmonious line compositions

  • Abstracted feminine figures

  • A unique balance between figurative expression and geometric purity

  • The refined use of acrylic and black ink on canvas or paper

Unaffected by academic trends, she has consistently followed her own path since the early 1990s.


Exhibitions (Selection)

Belgium

  • Gallery Geens, Overijse (2011)

  • CC De Bosuil, Overijse – Constructive Curves (2014)

  • Castle of Brasschaat – group exhibition (2014)

  • Artbarrel, Casino Middelkerke (2014)

  • Grimbergen Kiwanis Pop-up (2014)

  • CC Terlanen (2011)

  • Art in Overijse (2012)

  • Gallery DADA, Antwerp (2016)

  • Radisson Blu Hotel, Antwerp (2016)

International

  • Art Takes Times Square, Broadway, New York, USA (2012)

  • Resident Magazine & Gallery Pjez Unik, New York (2018)

  • The Affordable Art Fair, Brussels (2015)

  • Annual Dutch Art Fair (ADAF), Amsterdam (2015)

  • CODA Museum, Apeldoorn, Netherlands (2016)

  • Short Term Gallery, Brussels (2014)

  • Hotel Le Cinq Codet, Paris (2019)

  • ART SUSPENDU, Sanary-sur-Mer, France (2019)

  • Sensation Modern Fine Art Gallery, London (2011)


Publications & Media (Selection)

  • Resident Magazine New York – “Redefines the Human Form” (2018)

  • Atelier Magazine, issue no. 162 (2009)

  • France 24 – televised coverage

  • Major Belgian press: De Morgen, De Standaard, Het Laatste Nieuws, Het Nieuwsblad

  • Featured on Artmajeur, Singulart, Rise Art, Artsper, Artprice, Saatchi Art, Zatista, and The Artling

  • Women in Art – Masterpieces of Visual Art: Vol. 1, The Great Female Artists from the Middle Ages to the Modern Era

  • Who’s Who in Belgium and international editions

  • Magzoid Magazine (UAE) – “Essence of Womanhood Artistry”

  • WBM Luxury Guide – Art Collecting: Listed among 30 Artists to Collect in 2021

  • Titan Contemporary Publishing: Curatorial Essay (2025)

  • 2025 – Featured in literary art book
    Hildegarde Handsaeme’s painting Great Desire (2015) was selected for inclusion in the art and poetry book Dag Lieve Mens – Poems with Works by Flemish Artists, published by Pedro Brugada & Jean-Paul Van Der Poorten.
    The book combines visual and literary expression from leading contemporary creators in Flanders.


Awards & Recognition

  • 3rd Prize – Libr’art, Libramont (1994)

  • 4th Prize – Libr’art, Libramont (1995)

  • 3rd Prize – Kiezen voor Kunst (1995)

  • Gold Medal & nomination – Roma Arte 2000, Rome / Vatican

  • Finalist – Painting of the Year (2015)

  • Artistic collaboration – Andrew Winch Design, London (2015)

  • 2025 Artist profile published on Wikipedia, acknowledging her consistent body of work and international recognition.


Curatorial Reviews & Critical Recognition

Review by Quentin Métayer (Perrotin Gallery, Paris)
“Highly visual, graphically strong, and technically impressive.”

“There is a clear mastery in your line work, with fluid and technically challenging curves.
Your work is highly graphic, with pure and readable forms — something essential in black and white.
Technically very strong. Your visual universe is coherent and would pair perfectly with poetic or intellectual texts.”

Other Reviews (2023–2025)

  • Reviewed by curators via Artavita, Titan Publishing, and others

  • Positive feedback on consistency, harmony, and minimalist strength

  • Recognized for a distinctive and poetic visual identity

  • Notable reviews include Sandra Heuts and others


Professional Choices (2020–present)

  • No longer participating in art prizes requiring entry fees or artist contributions

  • No longer exhibiting in commercial galleries with high participation costs

  • Focused on international visibility via curated online platforms and direct collector outreach


Collections & Curatorial Recognition

Hildegarde Handsaeme’s work has been recognized and prominently featured by renowned international curatorial collectives, reflecting her lasting impact and appeal in the global art scene.

  • 2025 – Dickerson Collective, Los Angeles (USA) – An early large-scale work (120 x 100 cm) was acquired and prominently featured by this renowned curatorial collective, praised as “a gem of a piece.”


Private Collections

Hildegarde Handsaeme’s works are held in private collections in:

  • Belgium

  • The Netherlands

  • Germany

  • France

  • Spain

  • Switzerland

  • United States

  • Hong Kong

  • South Korea

  • Japan

  • Autralia

  • Austria


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